![]() ![]() In the end, I would have to spend many weeks converting H.264 QuickTimes to DNxHD flavored QuickTimes - ironically in Apple’s Compressor or even Sorenson Squeeze. I have personally spent a ton of time trying to figure out a better solution in my predominantly Avid Media Composer-based workflow and found that creating new master QuickTimes at the final output spec - Avid DNxHD for my world - would help speed up the preparation for online editing by embracing the fast-import feature inside of Media Composer. “Why would a file take longer than tape?” was a common inquiry. A lot of supervisors and editors who had no clue how long it took to get footage into the system properly would get upset and frustrated at the prospect of QuickTimes taking longer than real time to import, a constant battle. It caused assistants to go from digitizing tape and importing a few QuickTimes to importing hundreds of hours of QuickTimes. Subsequently this also turned the assistant editor world upside down. Once the GoPro camera came along, the file-based camera workflow really kicked into high gear. While XDCAM had its kinks at first, it’s a pretty proven method these days, at least in reality television production where I work. Sony has a solid solution using file-based and tape-based media with the XDCAM format: simultaneously writing low-resolution proxy files and high-resolution files for mastering. I have also seen the many different workflows people have used to get footage into a system, and most of the time it’s either wrong or overly complicated. In those various roles, I have seen tons of tape and file formats come and go over the years. Prior to that I spent four years as a post production coordinator/post supervisor. If they can build on that idea and make the software truly codec agnostic (while maintaining the speed of course), then EditReady will be my encoder of choice for years to come.Before I became a full-time editor, I spent over four years as an assistant editor. To me, this shows that Divergent Media is getting on board with the idea of a unified encoder that can do just about everything, as opposed to multiple specialized encoding softwares for certain media types. They've even gone so far as to cannibalize one of their other popular apps (ClipWrap) in order to bring that functionality into EditReady. Though the feature set and compatibility was somewhat limited when EditReady launched roughly a year ago, the Divergent Media developers have shown that they're all-in when it comes to making EditReady the fastest, simplest, and most comprehensive media management solution out there for people who transcode lots of footage and deal with extensive metadata and color management. Fixes an audio issue with some Canon 5D files.Better support for working with large numbers (many hundreds) of AVCHD files.Ensures audio and video tracks match in length in Adobe Premiere Pro.Fixes audio track mapping for MXF sources.Fixes an issue with AAC audio tracks that misreport their channel count (some YouTube files).Better support for GoPro Hero4 timecode. ![]() Improved stability when working with AVCHD on Mac OS X 10.8.Here's the full list of added features and fixes in the 1.2.1 update. This effectively makes EditReady the best and fastest solution for professional management of Samsung NX1 h.265 footage. The big news in this update is that EditReady now supports h.265 (which the Samsung NX1 can shoot internally in 4K). Two weeks ago, Divergent Media released another update (version 1.2.1). Just in case you need a refresher on EditReady and what it can do, here are a few quick videos. Better support for Canon C100 mark II files.Resolves an issue with menu appearance when Mac OS X is in “high contrast” mode.Fixes rare crash when disclosing clip info in thumbnail list.Much faster initial loading of clip thumbnails and metadata.Audio sync fixes for some Panasonic MXF files.Better handling for files that can’t be converted to DNxHD due to resolution limitations.Support for MPEG transport stream content (AVCHD and HDV).Here's the full list of upgrades from the 1.2 release. This is a major step for Divergent Media because it signals that they're throwing a ton of resources into making EditReady not only the fastest transcoder around, but also one of the most versatile. The major news in this release was that EditReady had, in essence, gained all of the functionality of Divergent Media's other popular media management app, ClipWrap, which excelled at rewrapping and transcoding AVCHD footage in mind-blowingly short amounts of time. The first, and biggest, of these was the 1.2 update which went live right at the beginning of March. EditReady has actually had two fairly significant updates recently. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |